We use threes in art to define structures like primary, secondary and tertiary colors on a color wheel. Sir Isaac Newton developed the first color wheel in 1666. The three Greek column classifications are Doric, Ionic, and Corinthian.
Vintage silver gelatin print
England, 1964
Astrid Kirchherr (b. 1938) – German photographer
Signed with pencil on the verso ‘Astrid Kirchherr’
Image size: 24.2 x 30.6 cm
Very good condition
Astrid Kirchherr’s works of the early times of the Beatles in Germany are some of the most iconic photographs of the 20th century; the auction record of her works currently sets at 3,000 Euros
Object is regular taxed. Differential taxation is not possible.The present vintage print by Astrid Kirchherr depicts four young boys on a street in Liverpool. Kirchherr created with her pictures a number of valuable documentations of the cultural and contemporary history of the 20th century.
The print is verso signed with pencil ‘Astrid Kirchherr‘. The image size is 24.2 x 30.6 cm and the size of the sheet is 25,5 x 32,2 cm. The work has been matted with four photo corners. The passe-partout is additionally signed with pencil lower left ‘Astrid Kirchherr’.
Astrid Kirchherr (b. 1938)
Astrid Kirchherr was born in Hamburg in 1938. In 1960 she finished her studies at the fashion, textile, graphic and advertising Institute in Hamburg. In the same year she met the Beatles in a nightclub in St. Pauli and became their first professional photographer. The German magazine ‘Der Stern’ commissioned Kirchherr in 1964 to document the Beatles during their shoot for the video ‘Yeah, Yeah, Yeah’. Kirchherr’s photograph on the album cover ‘Wonderwall Music’ by George Harrison is known as the last published works of the artist. Her photographic documentations on the Beatles are some of the most iconic images worldwide and have been published in countless books and magazines. (cbo)
Tetragrammaton by Francisco Goya: “The Name of God”, YHWH in triangle, detail from fresco Adoration of the Name of God, 1772
Three is the first number to which the meaning “all” was given. It is The Triad, being the number of the whole as it contains the beginning, a middle and an end. The power of three is universal and is the tripartide nature of the world as heaven, earth, and waters. It is human as body, soul and spirit.
In the first three numbers, all of the others are synthesized. From the union of oneness and duality (which is its reflection), that is, from triad, proceed all of the other numbers, and from this primordial triangle all figures derive.
There is also, for traditional civilizations, a direct relationship between numbers and letters of the alphabet, to the point where, with many alphabets, numbers were represented by letters, and had no special signs of their own. This is not the case with the early American cultures, which knew no alphabet, but we wish to call attention to this correspondence because not only the alphabetical code, but the numerical one, as well, describe all reality: that is, everything that is numerable or namable–in the sense of “ciphers,” harmonious measures, “proportions”–in sum, the totality of the cosmos, of the knowable.
This threeness or triad, has always been considered sacred–like oneness, duality, and all numbers–by virtue of its very properties and particular attributes. These properties and attributes are manifested in its threefold nature, which of itself is the inevitable expression of a principle, an archetypal fact, that solidifies in a series, as a representation of ideas and energies that materialize in magical, mysterious fashion while obeying precise, universal laws, which the numerical codes and their geometrical correspondences symbolize.
In numerology the number 3 is a whirlwind of expressiveness, joy, and boundless, childlike imagination. Threes possess vibrant energy, opening doors to self-expression and communication. Three’s magnetic personality draws people into its exciting presence.
Trinity Symbol
This symbol a triad or trinity. It is a symbol of the unity of body, mind and spirit. The symbol is of universal significance – it is found throughout history and all over the world. It was popularized early in this century by the Russian-born artist, philosopher and scientist Nicholas Roerich. (http://www.roerich.org). It can be interpreted in many different senses: spirit/mind/body in a circle of synthesis; past/present/future enclosed in the ring of eternity; art/science/religion bound in a circle of culture.
Chintamani
The oldest of Indian symbols, Chintamani, the sign of happiness, is composed of this symbol and it can be found in the Temple of Heaven in Beijing. It appears in the Three Treasures of Tibet; on the breast of the Christ in Memling’s famous painting; on the Madonna of Strasbourg; on the shields of the Crusaders and coat of arms of the Templars. It can be seen on the blades of the famous Caucasian swords called “Gurda” and on the swords of Japanese nobility.
It appears as a symbol in several philosophical systems. It can be discovered on the images of Gessar Khan and Rigden Djapo; on the “Tamga” of Timurlane and on the coat of arms of the Popes. It can be seen in the works of ancient Spanish painters and of Titian, and on the ancient ikon of St. Nicholas in Bari and that of St. Sergius and the Holy Trinity. It appears on the coat of arms of the city of Samarkand, on Ethiopian and Coptic antiquities, on the rocks of Mongolia, on Tibetan rings, on Buddhist banners, on the breast ornaments of all the Himalayan countries, and on the pottery of the Neolithic age.
This symbol is a symbol of happiness. It can not only appear in these famous places, but also appear around us. Therefore, this symbol can be customized into pins. You can also add your unique design to the custom pins. Whether you keep them for yourself or give them to relatives and friends, they are beautiful blessings. You can also customize the name of the person you want to give them to.
A three dimensional pixel. A hologram compresses 3D information onto a 2D representation. Two different representations of reality. The world is a pixelated world, not a voxelated world. It’s a hologram.
We know our cosmic horizon of the observable universe is at least 1/1000th in volume of the size of the known universe through observation.
In his words, The universe is at least 1000 times larger in volume than the region what we can ever see. The rest is beyond our horizon. This is like an event horizon of a black hole, but it is a cosmic horizon.
What is the meaning of the stuff we can never detect?
How can we confirm it by real observation?
What is the proper description of a world that is bigger than the cosmic horizon? 
Is our cosmic horizon a two-dimensional scrambled hologram of all that lies beyond it?
