Vintage silver gelatin print
Astrid Kirchherr (b. 1938) – German photographer
Signed with pencil on the verso ‘Astrid Kirchherr’
Image size: 24.2 x 30.6 cm
Very good condition
Astrid Kirchherr’s works of the early times of the Beatles in Germany are some of the most iconic photographs of the 20th century; the auction record of her works currently sets at 3,000 Euros
Object is regular taxed. Differential taxation is not possible.The present vintage print by Astrid Kirchherr depicts four young boys on a street in Liverpool. Kirchherr created with her pictures a number of valuable documentations of the cultural and contemporary history of the 20th century.
The print is verso signed with pencil ‘Astrid Kirchherr‘. The image size is 24.2 x 30.6 cm and the size of the sheet is 25,5 x 32,2 cm. The work has been matted with four photo corners. The passe-partout is additionally signed with pencil lower left ‘Astrid Kirchherr’.
Astrid Kirchherr (b. 1938)
Astrid Kirchherr was born in Hamburg in 1938. In 1960 she finished her studies at the fashion, textile, graphic and advertising Institute in Hamburg. In the same year she met the Beatles in a nightclub in St. Pauli and became their first professional photographer. The German magazine ‘Der Stern’ commissioned Kirchherr in 1964 to document the Beatles during their shoot for the video ‘Yeah, Yeah, Yeah’. Kirchherr’s photograph on the album cover ‘Wonderwall Music’ by George Harrison is known as the last published works of the artist. Her photographic documentations on the Beatles are some of the most iconic images worldwide and have been published in countless books and magazines. (cbo)
There are precisely three different classes of three-dimensional constant-curvature geometry: Euclidean, hyperbolic and elliptic geometry. The three geometries are all built on the same first four axioms, but each has a unique version of the fifth axiom, also known as the parallel postulate. The 1868Essay on an Interpretation of Non-Euclidean Geometryby Eugenio Beltrami (1835 – 1900) proved the logical consistency of the two Non-Euclidean geometries, hyperbolic and elliptical.
The parallel postulate is as follows for the corresponding geometries.
Euclidean geometry:Playfair’s version: “Given a lineland a pointPnot onl, there exists a unique linemthroughPthat is parallel tol.” Euclid’s version: “Suppose that a linelmeets two other linesmandnso that the sum of the interior angles on one side oflis less than 180°. Thenmandnintersect in a point on that side ofl.” These two versions are equivalent; though Playfair’s may be easier to conceive, Euclid’s is often useful for proofs.
Hyperbolic geometry:Given an arbitrary infinite lineland any pointPnot onl, there exist two or more distinct lines which pass throughPand are parallel tol.
Elliptic geometry:Given an arbitrary infinite lineland any pointPnot onl, there does not exist a line which passes throughPand is parallel tol.
In the Center of the Trifid Nebula Image Credit: Subaru Telescope (NAOJ), Hubble Space Telescope, Martin Pugh; Processing: Robert Gendler
What’s happening at the center of the Trifid Nebula? Three prominent dust lanes that give the Trifid its name all come together. Mountains of opaque dust appear near the bottom, while other dark filaments of dust are visible threaded throughout the nebula. A single massive star visible near the center causes much of the Trifid’s glow. The Trifid, cataloged as M20, is only about 300,000 years old, making it among the youngest emission nebulas known. The star forming nebula lies about 9,000 light years away toward the constellation of the Archer (Sagittarius). The region pictured here spans about 10 light years. The featured image is a composite with luminance taken from an image by the 8.2-m ground-based Subaru Telescope, detail provided by the 2.4-m orbiting Hubble Space Telescope, color data provided by Martin Pugh and image
Image Credit & Copyright: Grand Mesa Observatory, Terry Hancock / Tom
Closest to the Sun on March 1, and closest to planet Earth on April 23, this Comet ATLAS (C/2020 R4) shows a faint greenish coma and short tail in this pretty, telescopic field of view. Captured at its position on May 5, the comet was within the boundaries of northern constellation Canes Venatici (the Hunting Dogs), and near the line-of-sight to intriguing background galaxies popularly known as the Whale and the Hockey Stick. Cetacean in appearance but Milky Way sized, NGC 4631 is a spiral galaxy seen edge-on at the top right, some 25 million light-years away. NGC 4656/7 sports the bent-stick shape of interacting galaxies below and left of NGC 4631.
Win, Lose or Draw is an American television game show that aired from 1987 to 1990 in syndication and on NBC. It was taped at CBS Television City (one of the few non-CBS game shows to tape there), often in Studios 31, 33, and 43 at various times. It was co-produced by Burt & Bert Productions (headed by Burt Reynolds and Bert Convy, the original host of the syndicated version) and Kline & Friends for Disney’s Buena Vista Television. It has also had two versions on The Disney Channel: Teen Win, Lose or Draw from 1989 to 1992, and a revived version known as Disney’s Win, Lose or Draw which aired in 2014.
The set for the original Win, Lose or Draw was modeled after Burt Reynolds’ living room.
In the act of committing an error or crime, red-handed. For example, They caught the burglars dead to rights with the Oriental rugs. This phrase uses to rights in the sense of “at once.” [ Slang; mid-1800s]
US, 1854, originally New York City criminal slang, thence entered general use. dead (“completely, utterly”) + to rights (“properly”).
Dead to Rights is a video game series focusing on Jack Slate, a police officer in the fictional Grant City, and his K-9 partner Shadow. There are four games in the series. Wikipedia
First release: Dead to Rights; June 3, 2002
Latest release: Dead to Rights: Retribution; April 1, 2010
Genre: Third-person shooter
Dead to rights – Word Detective
Dear Word Detective: All the media and late-night jokesters are having a field day with the latest OJ escapade, of course. Several times I’ve heard or seen the phrase “this time they’ve got him dead to rights,” and I think we all understand what it means. The nearest thing to it in your archives is “caught redhanded,” which is not quite the same thing, nor is “they’ve got the goods on him this time!” But when I (figuratively) stand back and look at “got him dead to rights” it seems a rather strange construct — don’t you think? Anyway, did a specific author (like Mark Twain, or A. Conan Doyle, maybe) originate the phrase? Or just when and where did it come from? — Ken in Houston.
OJ who? Oh, right. Gosh, you know, there are times I almost regret my decision to stop watching TV news a couple of years ago. This isn’t one of them. Not that my tele-exile does much good. Despite my best efforts to avoid details of the Simpson kerfuffle, the basic facts of it seem to have seeped into my noggin by osmosis. Perhaps my fillings are picking up Fox News again.
In any case, just going by what the voices in my head tell me, Mr. Simpson does seem to have been caught “dead to rights,” which is to say that there is no reasonable argument that he did not do what he is said to have done and that, in a just universe, he would be, as the legal scholars put it, “toast.”
“Dead to rights” is indeed an odd expression, dating at least to the mid-19th century, when it was first collected in a glossary of underworld slang (“Vocabulum, or The Rogue’s Lexicon,” by George Matsell, 1859). The first part of the phrase, “dead,” is a slang use of the word to mean “absolutely, without doubt.” This use is more commonly heard in the UK, where it dates back to the 16th century, than in the US. “Dead” meaning “certainly” is based on the earlier use of “dead” to mean, quite logically, “with stillness suggestive of death, absolutely motionless,” a sense we still use when we say someone is “dead asleep.” The “absolutely, without doubt” sense is also found in “dead broke” and “dead certain.”
The “to rights” part of the phrase is a bit more complicated. “To rights” has been used since the 14th century to mean “in a proper manner,” or, later, “in proper condition or order,” a sense we also use in phrases such as “to set to rights,” meaning “to make a situation correct and orderly” (“Employed all the afternoon in my chamber, setting things and papers to rights,” Samuel Pepys, 1662). In the phrase “caught dead to rights,” the connotation is that every formality required by the law has been satisfied, and that the apprehension is what crooks in the UK used to call a “fair cop,” a clean and justifiable arrest. (“Cop,” from the Latin “capere,” to seize, has long been used as slang for “to grab” as well as slang for a police officer.) Of course, there’s many a slip ‘twixt the cop and the lips of the jury, so we shall see. Wake me when it’s over.
“None of us have the promise of tomorrow, God forbid this is my last day on this beautiful earth, it won’t be spent listening to some news person telling me how rotten we are, how rotten life is, heck no, I’m going out and seeing how beautiful life is. As humans, our time on this planet is very limited…Turn off, tune out and turn on your life. Peace” — Frank Zappa
The rule of three has become something akin to a social law of gravity — as if the number is behind everything.
Three groups of experimentalists have independently observed a strange state of matter that forms from three particles of any type and at any scale, from practically infinitesimal to infinite.
Forget pairs. They’re old pat. And 42? We still don’t know the question.
Comedians insist three is the best pattern to exploit perceptions and deliver punchlines; three features prominently in titles, such as The Three Little Pigs, Three Musketeers, Goldilocks and the Three Bears; even the Romans believed three was the ultimate number: “Omne trium perfectum” was their mantra — everything that comes in threes is perfect.
Now, it seems Mother Nature may also think in threes. Especially at the very edge of physics — quantum mechanics.
A Soviet nuclear physicist first proposed the idea back in the 1970s — and was met with derision.
For 45 years number-crunchers around the world have been attempting to topple Vitaly Efimov’s idea and prove his equations wrong.
They’ve failed; and his “outlandish” theory is now on the point of being proven.
Most importantly, Efimov felt that sets of three particles could arrange themselves in an infinite, layered pattern. What form these layers take helps determine the makeup of matter itself.
Jump forward four decades, and technological advances now allow his groups of three quantum particles to be studied and manipulated.
The quantum condition — now known as Efimov’s state — is visible only under supremely cold conditions. Matter, when chilled to a few billionths of a degree above Absolute Zero, does strange things …
Three is the first number to which the meaning “all” was given. It is The Triad, being the number of the whole as it contains the beginning, a middle and an end. The power of three is universal and is the tripartide nature of the world as heaven, earth, and waters. It is human as body, soul and spirit.
In the first three numbers, all of the others are synthesized. From the union of oneness and duality (which is its reflection), that is, from triad, proceed all of the other numbers, and from this primordial triangle all figures derive.
There is also, for traditional civilizations, a direct relationship between numbers and letters of the alphabet, to the point where, with many alphabets, numbers were represented by letters, and had no special signs of their own. This is not the case with the early American cultures, which knew no alphabet, but we wish to call attention to this correspondence because not only the alphabetical code, but the numerical one, as well, describe all reality: that is, everything that is numerable or namable–in the sense of “ciphers,” harmonious measures, “proportions”–in sum, the totality of the cosmos, of the knowable.
This threeness or triad, has always been considered sacred–like oneness, duality, and all numbers–by virtue of its very properties and particular attributes. These properties and attributes are manifested in its threefold nature, which of itself is the inevitable expression of a principle, an archetypal fact, that solidifies in a series, as a representation of ideas and energies that materialize in magical, mysterious fashion while obeying precise, universal laws, which the numerical codes and their geometrical correspondences symbolize.
This symbol a triad or trinity. It is a symbol of the unity of body, mind and spirit. The symbol is of universal significance – it is found throughout history and all over the world. It was popularized early in this century by the Russian-born artist, philosopher and scientist Nicholas Roerich. (http://www.roerich.org). It can be interpreted in many different senses: spirit/mind/body in a circle of synthesis; past/present/future enclosed in the ring of eternity; art/science/religion bound in a circle of culture.
The oldest of Indian symbols, Chintamani, the sign of happiness, is composed of this symbol and it can be found in the Temple of Heaven in Beijing. It appears in the Three Treasures of Tibet; on the breast of the Christ in Memling’s famous painting; on the Madonna of Strasbourg; on the shields of the Crusaders and coat of arms of the Templars. It can be seen on the blades of the famous Caucasian swords called “Gurda” and on the swords of Japanese nobility.
It appears as a symbol in several philosophical systems. It can be discovered on the images of Gessar Khan and Rigden Djapo; on the “Tamga” of Timurlane and on the coat of arms of the Popes. It can be seen in the works of ancient Spanish painters and of Titian, and on the ancient ikon of St. Nicholas in Bari and that of St. Sergius and the Holy Trinity. It appears on the coat of arms of the city of Samarkand, on Ethiopian and Coptic antiquities, on the rocks of Mongolia, on Tibetan rings, on Buddhist banners, on the breast ornaments of all the Himalayan countries, and on the pottery of the Neolithic age.