Something, nothing, and everything comes in threes. Enjoy this 9 minute expose on why we conceptualize, organize, and tri-compartmentalize in threes.
”Three is the magic number”
The Book of Threes
“Lights, Camera, Action”.
Something, nothing, and everything comes in threes. Enjoy this 9 minute expose on why we conceptualize, organize, and tri-compartmentalize in threes.
”Three is the magic number”
The Book of Threes
Story arcs are the overarching structures that define the progression of a narrative. There are several ways to categorize them, but one common classification involves three main types of story arcs: the “Three-Act Structure,” the “Hero’s Journey,” and the “In Media Res” or “Mid-action” story arc. These arcs offer different approaches to creating engaging and satisfying narratives.
How to use it: The Three-Act Structure provides a clear and easily digestible narrative framework, making it a popular choice for many stories. It helps build tension and allows for character development as the plot unfolds.
How to use it: The Hero’s Journey is a powerful and timeless structure that resonates with audiences because it reflects the universal theme of personal growth and transformation. It’s especially useful for epic and fantasy narratives.
How to use it: Starting in media res can immediately engage the audience and raise questions, which can drive the narrative forward. It’s particularly effective for stories that benefit from a sense of mystery and intrigue.
In addition to the three main story arcs, other groupings in threes you can explore in storytelling include:
These storytelling elements can be mixed and matched to create unique and engaging narratives, depending on the type of story you want to tell and the impact you want to have on your audience.
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“Sing, Sing, Sing (With a Swing)” is a 1936 song, with music and lyrics by Louis Prima, who first recorded it with the New Orleans Gang. Brunswick Records released it on February 28, 1936 on the 78 rpm record format, with “It’s Been So Long” as the B-side. The song is strongly identified with the big band and swing eras. Several have performed the piece as an instrumental, including Fletcher Henderson and, most famously, Benny Goodman.

On July 6, 1937, “Sing, Sing, Sing” was recorded in Hollywood with Benny Goodman on clarinet; Gene Krupa on drums; Harry James, Ziggy Elman, and Chris Griffin on trumpets; Red Ballard and Murray McEachern on trombones; Hymie Schertzer and George Koenig on alto saxophones; Art Rollini and Vido Musso on tenor saxophone; Jess Stacy on piano; Allan Reuss on guitar; and Harry Goodman on bass. The song was arranged by Jimmy Mundy. Unlike most big band arrangements of that era, limited in length to three minutes so that they could be recorded on one side of a standard 10-inch 78-rpm record, the version which Goodman’s band recorded was an extended work. The 1937 recording lasted 8 minutes and 43 seconds, and it took up both sides of a 12-inch 78.

Sing, sing, sing, everybody start to sing like dee dee dee, bah bah bah dah
Now you’re singin with a swing
Sing sing sing everybody start to sing like dee dee dee, bah bah bah dah
Now you’re singin like everything
When the music goes around
Everybody’s gonna go to town
But here is one thing you should know
Sing it high and sing it low
Oh, sing sing sing sing everybody start to sing like dee dee dee, bah bah bah dah
Now you’re singin with a real good swing!
Ross Firestone says that the 1937 recording “bore only the slightest resemblance to the original score.” Helen Ward said that the changes started spontaneously: “One night Gene just refused to stop drumming when he got to the end of the third chorus, where the tune was supposed to end, so Benny blithely picked up the clarinet and noodled along with him. Then someone else stood up and took it, and it went on from there.” Firestone says the elements from “Christopher Columbus” were added this way. The title of the number as given on the Goodman recordings acknowledges the additional tune – “Sing, Sing, Sing (introducing Christopher Columbus)”.
Source: WikiPedia